The Piano

Among the most versatile instruments ever developed, the piano, has an  old and rich history. The piano key format was already in existence over 2000 years ago, long before the piano itself came  into the musical  setting.

The Greeks invented the Hydraulis around 250 B.C. Ctesibius, the developer, based his  layout on the even older pan pipes ( designed in China around 2000 B.C.). Unlike the pan pipes, however, the Hydraulis allowed more than one note to be played at the very same time. Like the modern piano keyboard, the design had the lower notes on the left side and the higher notes on the right. Even with simply  7  fundamental notes, the instrument was  well-liked in Greece and Rome for over 500 years A.D.

When the Hydraulis was introduced to the western Catholic Church in the 8th century, it  started to  develop into a different musical instrument, with an  upgraded piano key  design. The middle ages created three church organ designs which  made use of the first twelve-note piano key notes.

Renaissance Italy created  2 different  crucial instruments. The bowed stringed instruments (violin, viola and cello) showed up. Strings also played a part in the advancement of the piano. Someone had the idea of taking the twelve church organ notes  design and applying it to the strings of the  old Greek harps. The year 1709 observed the introduction of the pianoforte into the royal court and parlors of aristocrats.

The pianoforte was modeled on the old Iranian dulcimer,  making use of hammers to strike the strings. The initial  modern-day pianos became  prominent in Europe around 1725. The 1740s observed an upsurge in piano manufacture, eclipsing the popularity of the harpsichord. The harpsichord, while comparable in  looks to the piano, is played plucking the strings with stiffened quills, not  by utilizing tiny hammers to strike the strings.

From the 1750s to the 1790s, Bach, Mozart and Beethoven started  developing compositions which  additionally  elevated the piano's  appeal in Europe. The initial piano  producer in the  USA began turning out his  productions in 1775.

The 1800s saw the birth of the Strauss papa and son waltz composer and continued  advancement and refinements of the piano. Chopin, Schumann and Liszt all come into the  setting and  created hundreds of piano compositions. Beethoven continued to compose for piano, cherishing the richer tones that came with the refinements. Brahms took piano composition to new standards. From 1790 to 1860, the Industrial Revolution provided high-quality piano wire for strings and precision casting for iron frames.

The large advantage to the piano is the  capability to  incorporate loud and soft notes, for more  range in  song compositions. The clavichord had meaningful control of notes,  yet it was  also too quiet for  huge concerts. The harpsichord was audible enough for  huge venues,  yet  did not have the  meaningful control over notes. The piano became a compromise, permitting one instrument to take care of both  components. After three centuries of classical compositions created for piano, the late 19th and  very early 20th centuries  observed piano in  numerous  kinds of jazz music. From spirituals to ragtime to boogie woogie, the piano was king. Honky-tonk and Bebop showed up in the mid-20th century, and fusion jazz moved the piano  even more down the road in compositions.

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